An instrument you play by moving.
No keys. You tilt, turn and drag, and slow drones grow out of the motion. Everything stays in key, so there’s nothing to get wrong.
Hold still and it breathes on its own. Tilt, and the sound follows you.
Nimbus started from one idea: an instrument you actually hold, not tap. No keys — just your hand, feeling a sound into shape. Left and right is pitch, forward and back opens the tone, a twist colours it.
Tilt it and a drone blooms and drifts; set it down and it keeps breathing without you. The phone stops feeling like a device and starts feeling like an extension of your hand — and of the room you’re in.
Six voices, each its own colour, stacked and looped by one pair of hands. And because it speaks MIDI too, that same feel can drive your DAW — Nimbus becomes a controller for anything you’re already running.
Long-press a voice and the whole synth opens.
Under every voice sits a full synth — waves, filters, envelopes, an LFO, delay and reverb. Sculpt a warm pad into glass, into air, into a deep sub, then stack layers until it’s unmistakably yours. Nothing is preset in stone, and there’s no end to the sound you can build.
It speaks MIDI.
Your tilts and gestures become notes and control data your studio can record, layer and route anywhere.
Everything the instrument does, in one quiet page.
Put it in your pocket. Play the room you’re in.